“My father,” he said,—but still there was that dark smile, making a riddle of his countenance,—“my father was an honester man than the bloody old Colonel!Not to get his rights back again would he have carried off one of those papers!”
“I shall not bandy words with you,” observed the foreign-bred Mr. Pyncheon, with haughty composure.“Nor will it become me to resent any rudeness towards either my grandfather or myself. A gentleman,before seeking intercourse with a person of your station and habits,will first consider whether the urgency of the end may compensate for the disagreeableness of the means. It does so in the present instance.”
He then renewed the conversation, and made great pecuniary offers to the carpenter,in case the latter should give information leading to the discovery of the lost document,and the consequent success of the Eastern claim.For a long time Matthew Maule is said to have turned a cold ear to these propositions. At last,however, with a strange kind of laugh, he inquired whether Mr.Pyncheon would make over to him the old wizard’s homestead-ground,together with the House of the Seven Gables, now standing on it,in requital of the documentary evidence so urgently required.
The wild, chimney-corner legend (which, without copying all its extravagances,my narrative essentially follows) here gives an account of some very strange behavior on the part of Colonel Pyncheon’s portrait.This picture, it must be understood, was supposed to be so intimately connected with the fate of the house,and so magically built into its walls, that, if once it should be removed,that very instant the whole edifice would come thundering down in a heap of dusty ruin.All through the foregoing conversation between Mr. Pyncheon and the carpenter,the portrait had been frowning, clenching its fist,and giving many such proofs of excessive discomposure,but without attracting the notice of either of the two colloquists. And finally,at Matthew Maule’s audacious suggestion of a transfer of the seven-gabled structure,the ghostly portrait is averred to have lost all patience,and to have shown itself on the point of descending bodily from its frame.But such incredible incidents are merely to be mentioned aside.
“Give up this house!” exclaimed Mr. Pyncheon, in amazement at the proposal. “Were I to do so,my grandfather would not rest quiet in his grave!”
“He never has, if all stories are true,” remarked the carpenter composedly.“But that matter concerns his grandson more than it does Matthew Maule. I have no other terms to propose.”
Impossible as he at first thought it to comply with Maule’s conditions, still, on a second glance,Mr. Pyncheon was of opinion that they might at least be made matter of discussion.He himself had no personal attachment for the house,nor any pleasant associations connected with his childish residence in it. On the contrary,after seven-and-thirty years, the presence of his dead grandfather seemed still to pervade it,as on that morning when the affrighted boy had beheld him, with so ghastly an aspect,stiffening in his chair. His long abode in foreign parts, moreover,and familiarity with many of the castles and ancestral halls of England,and the marble palaces of Italy, had caused him to look contemptuously at the House of the Seven Gables,whether in point of splendor or convenience.It was a mansion exceedingly inadequate to the style of living which it would be incumbent on Mr.Pyncheon to support, after realizing his territorial rights. His steward might deign to occupy it,but never, certainly, the great landed proprietor himself. In the event of success, indeed,it was his purpose to return to England; nor, to say the truth,would he recently have quitted that more congenial home, had not his own fortune,as well as his deceased wife’s, begun to give symptoms of exhaustion.The Eastern claim once fairly settled, and put upon the firm basis of actual possession, Mr.Pyncheon’s property—to be measured by miles, not acres—would be worth an earldom,and would reasonably entitle him to solicit, or enable him to purchase,that elevated dignity from the British monarch. Lord Pyncheon!—or the Earl of Waldo!—how could such a magnate be expected to contract his grandeur within the pitiful compass of seven shingled gables?
In short, on an enlarged view of the business,the carpenter’s terms appeared so ridiculously easy that Mr.Pyncheon could scarcely forbear laughing in his face. He was quite ashamed,after the foregoing reflections, to propose any diminution of so moderate a recompense for the immense service to be rendered.
“I consent to your proposition, Maule!” cried he. “Put me in possession of the document essential to establish my rights,and the House of the Seven Gables is your own!”
According to some versions of the story,a regular contract to the above effect was drawn up by a lawyer,and signed and sealed in the presence of witnesses.Others say that Matthew Maule was contented with a private written agreement, in which Mr.Pyncheon pledged his honor and integrity to the fulfillment of the terms concluded upon.The gentleman then ordered wine, which he and the carpenter drank together,in confirmation of their bargain. During the whole preceding discussion and subsequent formalities,the old Puritan’s portrait seems to have persisted in its shadowy gestures of disapproval;but without effect, except that, as Mr. Pyncheon set down the emptied glass,he thought he beheld his grandfather frown.
“This sherry is too potent a wine for me; it has affected my brain already,” he observed,after a somewhat startled look at the picture. “On returning to Europe,I shall confine myself to the more delicate vintages of Italy and France,the best of which will not bear transportation.”
“My Lord Pyncheon may drink what wine he will, and wherever he pleases,” replied the carpenter,as if he had been privy to Mr. Pyncheon’s ambitious projects. “But first, sir,if you desire tidings of this lost document,I must crave the favor of a little talk with your fair daughter Alice.”
“You are mad, Maule!” exclaimed Mr. Pyncheon haughtily; and now, at last, there was anger mixed up with his pride.“What can my daughter have to do with a business like this?”
Indeed, at this new demand on the carpenter’s part,the proprietor of the Seven Gables was even more thunder-struck than at the cool proposition to surrender his house.There was, at least, an assignable motive for the first stipulation;there appeared to be none whatever for the last. Nevertheless,Matthew Maule sturdily insisted on the young lady being summoned,and even gave her father to understand, in a mysterious kind of explanation,—which made the matter considerably darker than it looked before,—that the only chance of acquiring the requisite knowledge was through the clear,crystal medium of a pure and virgin intelligence, like that of the fair Alice.Not to encumber our story with Mr. Pyncheon’s scruples, whether of conscience, pride,or fatherly affection, he at length ordered his daughter to be called.He well knew that she was in her chamber,and engaged in no occupation that could not readily be laid aside; for, as it happened,ever since Alice’s name had been spoken,both her father and the carpenter had heard the sad and sweet music of her harpsichord,and the airier melancholy of her accompanying voice.
So Alice Pyncheon was summoned, and appeared. A portrait of this young lady,painted by a Venetian artist, and left by her father in England,is said to have fallen into the hands of the present Duke of Devonshire,and to be now preserved at Chatsworth; not on account of any associations with the original,but for its value as a picture, and the high character of beauty in the countenance.If ever there was a lady born, and set apart from the world’s vulgar mass by a certain gentle and cold stateliness,it was this very Alice Pyncheon. Yet there was the womanly mixture in her; the tenderness, or,at least, the tender capabilities. For the sake of that redeeming quality,a man of generous nature would have forgiven all her pride, and have been content, almost,to lie down in her path, and let Alice set her slender foot upon his heart.All that he would have required was simply the acknowledgment that he was indeed a man,and a fellow-being, moulded of the same elements as she.
As Alice came into the room, her eyes fell upon the carpenter, who was standing near its centre,clad in green woollen jacket, a pair of loose breeches, open at the knees,and with a long pocket for his rule, the end of which protruded;it was as proper a mark of the artisan’s calling as Mr.Pyncheon’s full-dress sword of that gentleman’s aristocratic pretensions.A glow of artistic approval brightened over Alice Pyncheon’s face;she was struck with admiration—which she made no attempt to conceal—of the remarkable comeliness,strength, and energy of Maule’s figure. But that admiring glance (which most other men, perhaps,would have cherished as a sweet recollection all through life) the carpenter never forgave.It must have been the devil himself that made Maule so subtile in his preception.
“Does the girl look at me as if I were a brute beast?” thought he, setting his teeth. “She shall know whether I have a human spirit;and the worse for her, if it prove stronger than her own!”
“My father, you sent for me,” said Alice, in her sweet and harp-like voice. “But,if you have business with this young man, pray let me go again. You know I do not love this room,in spite of that Claude, with which you try to bring back sunny recollections.”
“Stay a moment, young lady, if you please!” said Matthew Maule. “My business with your father is over. With yourself, it is now to begin!”
Alice looked towards her father, in surprise and inquiry.
“Yes, Alice,” said Mr. Pyncheon, with some disturbance and confusion.“This young man—his name is Matthew Maule—professes, so far as I can understand him,to be able to discover, through your means, a certain paper or parchment,which was missing long before your birth.The importance of the document in question renders it advisable to neglect no possible,even if improbable, method of regaining it. You will therefore oblige me, my dear Alice,by answering this person’s inquiries, and complying with his lawful and reasonable requests,so far as they may appear to have the aforesaid object in view. As I shall remain in the room,you need apprehend no rude nor unbecoming deportment, on the young man’s part; and,at your slightest wish, of course, the investigation, or whatever we may call it, shall immediately be broken off.”
“Mistress Alice Pyncheon,” remarked Matthew Maule, with the utmost deference,but yet a half-hidden sarcasm in his look and tone,“will no doubt feel herself quite safe in her father’s presence,and under his all-sufficient protection.”
“I certainly shall entertain no manner of apprehension, with my father at hand,” said Alice with maidenly dignity. “Neither do I conceive that a lady, while true to herself,can have aught to fear from whomsoever, or in any circumstances!”
Poor Alice!By what unhappy impulse did she thus put herself at once on terms of defiance against a strength which she could not estimate?
“Then, Mistress Alice,” said Matthew Maule, handing a chair,—gracefully enough, for a craftsman,“will it please you only to sit down, and do me the favor (though altogether beyond a poor carpenter’s deserts) to fix your eyes on mine!”
Alice complied. She was very proud. Setting aside all advantages of rank,this fair girl deemed herself conscious of a power—combined of beauty, high, unsullied purity,and the preservative force of womanhood—that could make her sphere impenetrable,unless betrayed by treachery within. She instinctively knew, it may be,that some sinister or evil potency was now striving to pass her barriers;nor would she decline the contest. So Alice put woman’s might against man’s might;a match not often equal on the part of woman.
Her father meanwhile had turned away, and seemed absorbed in the contemplation of a landscape by Claude,where a shadowy and sun-streaked vista penetrated so remotely into an ancient wood,that it would have been no wonder if his fancy had lost itself in the picture’s bewildering depths.But, in truth, the picture was no more to him at that moment than the blank wall against which it hung.His mind was haunted with the many and strange tales which he had heard,attributing mysterious if not supernatural endowments to these Maules,as well the grandson here present as his two immediate ancestors. Mr.Pyncheon’s long residence abroad, and intercourse with men of wit and fashion,—courtiers,worldlings, and free-thinkers,—had done much towards obliterating the grim Puritan superstitions,which no man of New England birth at that early period could entirely escape. But,on the other hand, had not a whole community believed Maule’s grandfather to be a wizard?Had not the crime been proved?Had not the wizard died for it?Had he not bequeathed a legacy of hatred against the Pyncheons to this only grandson, who,as it appeared, was now about to exercise a subtle influence over the daughter of his enemy’s house?Might not this influence be the same that was called witchcraft?
Turning half around, he caught a glimpse of Maule’s figure in the looking-glass.At some paces from Alice, with his arms uplifted in the air,the carpenter made a gesture as if directing downward a slow, ponderous, and invisible weight upon the maiden.
“Stay, Maule!” exclaimed Mr. Pyncheon, stepping forward. “I forbid your proceeding further!”
“Pray, my dear father, do not interrupt the young man,” said Alice, without changing her position.“His efforts, I assure you, will prove very harmless.”
Again Mr. Pyncheon turned his eyes towards the Claude. It was then his daughter’s will,in opposition to his own, that the experiment should be fully tried. Henceforth, therefore,he did but consent, not urge it. And was it not for her sake far more than for his own that he desired its success?That lost parchment once restored, the beautiful Alice Pyncheon,with the rich dowry which he could then bestow,might wed an English duke or a German reigning-prince,instead of some New England clergyman or lawyer!At the thought, the ambitious father almost consented, in his heart, that,if the devil’s power were needed to the accomplishment of this great object, Maule might evoke him.Alice’s own purity would be her safeguard.
With his mind full of imaginary magnificence, Mr.Pyncheon heard a half-uttered exclamation from his daughter. It was very faint and low;so indistinct that there seemed but half a will to shape out the words,and too undefined a purport to be intelligible. Yet it was a call for help!—his conscience never doubted it;—and, little more than a whisper to his ear,it was a dismal shriek, and long reechoed so, in the region round his heart!But this time the father did not turn.
After a further interval, Maule spoke.
“Behold your daughter,” said he.
Mr. Pyncheon came hastily forward. The carpenter was standing erect in front of Alice’s chair,and pointing his finger towards the maiden with an expression of triumphant power,the limits of which could not be defined, as, indeed,its scope stretched vaguely towards the unseen and the infinite.Alice sat in an attitude of profound repose, with the long brown lashes drooping over her eyes.
“There she is!” said the carpenter. “Speak to her!”
“Alice!My daughter!” exclaimed Mr. Pyncheon. “My own Alice!”
She did not stir.
“Louder!” said Maule, smiling.
“Alice!Awake!” cried her father. “It troubles me to see you thus!Awake!”
He spoke loudly, with terror in his voice,and close to that delicate ear which had always been so sensitive to every discord.But the sound evidently reached her not. It is indescribable what a sense of remote, dim,unattainable distance betwixt himself and Alice was impressed on the father by this impossibility of reaching her with his voice.
“Best touch her!” said Matthew Maule “Shake the girl, and roughly, too!My hands are hardened with too much use of axe, saw, and plane,—else I might help you!”
Mr. Pyncheon took her hand, and pressed it with the earnestness of startled emotion. He kissed her,with so great a heart-throb in the kiss, that he thought she must needs feel it. Then,in a gust of anger at her insensibility, he shook her maiden form with a violence which,the next moment, it affrighted him to remember. He withdrew his encircling arms,and Alice—whose figure, though flexible,had been wholly impassive—relapsed into the same attitude as before these attempts to arouse her.Maule having shifted his position, her face was turned towards him slightly,but with what seemed to be a reference of her very slumber to his guidance.
Then it was a strange sight to behold how the man of conventionalities shook the powder out of his periwig;how the reserved and stately gentleman forgot his dignity;how the gold-embroidered waistcoat flickered and glistened in the firelight with the convulsion of rage,terror, and sorrow in the human heart that was beating under it.
“Villain!” cried Mr. Pyncheon, shaking his clenched fist at Maule.“You and the fiend together have robbed me of my daughter. Give her back, spawn of the old wizard,or you shall climb Gallows Hill in your grandfather’s footsteps!”
“Softly, Mr. Pyncheon!” said the carpenter with scornful composure. “Softly, an’ it please your worship,else you will spoil those rich lace-ruffles at your wrists!Is it my crime if you have sold your daughter for the mere hope of getting a sheet of yellow parchment into your clutch?There sits Mistress Alice quietly asleep.Now let Matthew Maule try whether she be as proud as the carpenter found her awhile since.”
He spoke, and Alice responded, with a soft, subdued, inward acquiescence,and a bending of her form towards him, like the flame of a torch when it indicates a gentle draught of air.He beckoned with his hand, and, rising from her chair,—blindly, but undoubtingly,as tending to her sure and inevitable centre,—the proud Alice approached him. He waved her back,and, retreating, Alice sank again into her seat.
“She is mine!” said Matthew Maule. “Mine, by the right of the strongest spirit!”
In the further progress of the legend, there is a long, grotesque,and occasionally awe-striking account of the carpenter’s incantations (if so they are to be called),with a view of discovering the lost document.It appears to have been his object to convert the mind of Alice into a kind of telescopic medium,through which Mr. Pyncheon and himself might obtain a glimpse into the spiritual world.He succeeded, accordingly, in holding an imperfect sort of intercourse, at one remove,with the departed personages in whose custody the so much valued secret had been carried beyond the precincts of earth.During her trance, Alice described three figures as being present to her spiritualized perception.One was an aged, dignified, stern-looking gentleman,clad as for a solemn festival in grave and costly attire,but with a great blood-stain on his richly wrought band; the second, an aged man, meanly dressed,with a dark and malign countenance, and a broken halter about his neck; the third,a person not so advanced in life as the former two, but beyond the middle age,wearing a coarse woollen tunic and leather breeches,and with a carpenter’s rule sticking out of his side pocket.These three visionary characters possessed a mutual knowledge of the missing document. One of them,in truth,—it was he with the blood-stain on his band,—seemed,unless his gestures were misunderstood, to hold the parchment in his immediate keeping,but was prevented by his two partners in the mystery from disburdening himself of the trust.Finally, when he showed a purpose of shouting forth the secret loudly enough to be heard from his own sphere into that of mortals,his companions struggled with him, and pressed their hands over his mouth;and forthwith—whether that he were choked by it,or that the secret itself was of a crimson hue—there was a fresh flow of blood upon his band.Upon this, the two meanly dressed figures mocked and jeered at the much-abashed old dignitary, and pointed their fingers at the stain.
At this juncture, Maule turned to Mr. Pyncheon.
“It will never be allowed,” said he. “The custody of this secret, that would so enrich his heirs,makes part of your grandfather’s retribution.He must choke with it until it is no longer of any value.And keep you the House of the Seven Gables!It is too dear bought an inheritance, and too heavy with the curse upon it,to be shifted yet awhile from the Colonel’s posterity.”
Mr. Pyncheon tried to speak, but—what with fear and passion—could make only a gurgling murmur in his throat. The carpenter smiled.
“Aha, worshipful sir!—so you have old Maule’s blood to drink!” said he jeeringly.
“Fiend in man’s shape!why dost thou keep dominion over my child?” cried Mr. Pyncheon, when his choked utterance could make way. “Give me back my daughter.Then go thy ways; and may we never meet again!”
“Your daughter!” said Matthew Maule. “Why, she is fairly mine!Nevertheless, not to be too hard with fair Mistress Alice, I will leave her in your keeping;but I do not warrant you that she shall never have occasion to remember Maule, the carpenter.”
He waved his hands with an upward motion; and, after a few repetitions of similar gestures,the beautiful Alice Pyncheon awoke from her strange trance.She awoke without the slightest recollection of her visionary experience;but as one losing herself in a momentary reverie,and returning to the consciousness of actual life,in almost as brief an interval as the down-sinking flame of the hearth should quiver again up the chimney.On recognizing Matthew Maule, she assumed an air of somewhat cold but gentle dignity, the rather,as there was a certain peculiar smile on the carpenter’s visage that stirred the native pride of the fair Alice.So ended, for that time, the quest for the lost title-deed of the Pyncheon territory at the Eastward;nor, though often subsequently renewed,has it ever yet befallen a Pyncheon to set his eye upon that parchment.
But, alas for the beautiful, the gentle, yet too haughty Alice!A power that she little dreamed of had laid its grasp upon her maiden soul. A will,most unlike her own, constrained her to do its grotesque and fantastic bidding.Her father as it proved, had martyred his poor child to an inordinate desire for measuring his land by miles instead of acres.And, therefore, while Alice Pyncheon lived, she was Maule’s slave, in a bondage more humiliating,a thousand-fold, than that which binds its chain around the body. Seated by his humble fireside,Maule had but to wave his hand; and, wherever the proud lady chanced to be,—whether in her chamber,or entertaining her father’s stately guests, or worshipping at church,—whatever her place or occupation, her spirit passed from beneath her own control,and bowed itself to Maule. “Alice, laugh!”—the carpenter, beside his hearth, would say; or perhaps intensely will it, without a spoken word.And, even were it prayer-time, or at a funeral, Alice must break into wild laughter. “Alice, be sad!”—and, at the instant, down would come her tears,quenching all the mirth of those around her like sudden rain upon a bonfire. “Alice, dance.”—and dance she would, not in such court-like measures as she had learned abroad,but some high-paced jig, or hop-skip rigadoon, befitting the brisk lasses at a rustic merry-making.It seemed to be Maule’s impulse, not to ruin Alice,nor to visit her with any black or gigantic mischief,which would have crowned her sorrows with the grace of tragedy, but to wreak a low,ungenerous scorn upon her. Thus all the dignity of life was lost. She felt herself too much abased,and longed to change natures with some worm!
One evening, at a bridal party (but not her own; for, so lost from self-control,she would have deemed it sin to marry), poor Alice was beckoned forth by her unseen despot,and constrained, in her gossamer white dress and satin slippers,to hasten along the street to the mean dwelling of a laboring-man.There was laughter and good cheer within; for Matthew Maule, that night,was to wed the laborer’s daughter, and had summoned proud Alice Pyncheon to wait upon his bride.And so she did; and when the twain were one, Alice awoke out of her enchanted sleep. Yet,no longer proud,—humbly, and with a smile all steeped in sadness,—she kissed Maule’s wife,and went her way. It was an inclement night;the southeast wind drove the mingled snow and rain into her thinly sheltered bosom;her satin slippers were wet through and through, as she trod the muddy sidewalks.The next day a cold; soon, a settled cough; anon, a hectic cheek, a wasted form,that sat beside the harpsichord, and filled the house with music!Music in which a strain of the heavenly choristers was echoed!Oh; joy!For Alice had borne her last humiliation!Oh, greater joy!For Alice was penitent of her one earthly sin, and proud no more!
The Pyncheons made a great funeral for Alice. The kith and kin were there,and the whole respectability of the town besides. But, last in the procession, came Matthew Maule,gnashing his teeth, as if he would have bitten his own heart in twain,—the darkest and wofullest man that ever walked behind a corpse!He meant to humble Alice, not to kill her;but he had taken a woman’s delicate soul into his rude gripe, to play with—and she was dead!
XIV. Phœbe’s Good-Bye
Holgrave, plunging into his tale with the energy and absorption natural to a young author,had given a good deal of action to the parts capable of being developed and exemplified in that manner.He now observed that a certain remarkable drowsiness (wholly unlike that with which the reader possibly feels himself affected) had been flung over the senses of his auditress. It was the effect, unquestionably, of the mystic gesticulations by which he had sought to bring bodily before Phœbe’s perception the figure of the mesmerizing carpenter. With the lids drooping over her eyes,—now lifted for an instant, and drawn down again as with leaden weights,—she leaned slightly towards him, and seemed almost to regulate her breath by his. Holgrave gazed at her, as he rolled up his manuscript, and recognized an incipient stage of that curious psychological condition which, as he had himself told Phœbe, he possessed more than an ordinary faculty of producing. A veil was beginning to be muffled about her, in which she could behold only him, and live only in his thoughts and emotions. His glance, as he fastened it on the young girl, grew involuntarily more concentrated; in his attitude there was the consciousness of power, investing his hardly mature figure with a dignity that did not belong to its physical manifestation. It was evident, that, with but one wave of his hand and a corresponding effort of his will, he could complete his mastery over Phœbe’s yet free and virgin spirit: he could establish an influence over this good, pure, and simple child, as dangerous, and perhaps as disastrous, as that which the carpenter of his legend had acquired and exercised over the ill-fated Alice.
To a disposition like Holgrave’s, at once speculative and active,there is no temptation so great as the opportunity of acquiring empire over the human spirit;nor any idea more seductive to a young man than to become the arbiter of a young girl’s destiny.Let us, therefore,—whatever his defects of nature and education,and in spite of his scorn for creeds and institutions,—concede to the daguerreotypist the rare and high quality of reverence for another’s individuality.Let us allow him integrity, also, forever after to be confided in;since he forbade himself to twine that one link more which might have rendered his spell over Phœbe indissoluble.
He made a slight gesture upward with his hand.
“You really mortify me, my dear Miss Phœbe!” he exclaimed, smiling half-sarcastically at her. “My poor story, it is but too evident, will never do for Godey or Graham!Only think of your falling asleep at what I hoped the newspaper critics would pronounce a most brilliant,powerful, imaginative, pathetic, and original winding up!Well, the manuscript must serve to light lamps with;—if, indeed,being so imbued with my gentle dulness, it is any longer capable of flame!”
“Me asleep!How can you say so?” answered Phœbe, as unconscious of the crisis through which she had passed as an infant of the precipice to the verge of which it has rolled. “No, no!I consider myself as having been very attentive; and,though I don’t remember the incidents quite distinctly,yet I have an impression of a vast deal of trouble and calamity,—so, no doubt,the story will prove exceedingly attractive.”